Dharmakirti Sumant's work combines political engagement with formal experimentation, representing a generation attentive to the anxieties and contradictions of post-liberalisation India.
The Marathi one-act play “Paani” was first performed July 29, 2007, at Sudarshan Rangmanch in Pune, India.
Original production:
Producer: Samanvay
Director: Sameer Vidwans
Lights: Sujay Bhadkamkar
Sets: Kiran Yadnyapavit
Sound: Hrishikesh Dater
Stage Manager: Pravin Kandve
Presented by: Maharashtra Cultural Centre, Pune
Cast:
Panini: Shashank Shende
Mukul: Kiran Yadnyapavit
(The curtain rises on a bench, stage left. To its left stands the old stone pillar of a bridge. Stage right, a large temple bell, stones strewn about and a raised platform. It is 11 p.m. Panini sits reading from a file. Offstage, in a tea stall, loud music blares from the radio. Panini grows increasingly irritated. Finally, visibly annoyed, he gets up to have it turned off.)
PANINI: Oi! Stop that racket.
(He lights a bidi and returns to his place. The rumble of a large vehicle crossing the bridge. Silence. Mukul walks onstage, talking on his cellphone.)
MUKUL (laughing loudly): Arre, these fundamentalists are going to teach communism now!
Tell them to take a call and let us know. We’ll take it from there.
(Hangs up. Addresses Panini.)
Sorry, yaar. Dead tired today. Four lectures back-to-back.
Panya, you can’t even park a car here anymore! Had to…
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Published July 25, 2026